Memory as an anchor, as a structure, is the underlying theme of issue 002.
Featuring original artwork, photographs, and written features on NaissanceE, Metroid Prime, Wipeout and others.
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Issue 002’s cover feature on the cult exploration game NaissanceE is an unprecedented look at the architecture, making-of, and influences on the game. A screenshot series plumbing the depths of its striking, minimalist architecture is supported by an interview with creator Mavros Sedeño, and previously unpublished sketches of its modular structures. A supporting piece on the architect-turned-mangaka Tsutomu Nihei and his manga Blame! explores its powerful influence on NaissanceE and visual culture in general, illustrated with material from the newly released Master Editions.
002 also takes a look at the labyrinthine 2D spaces of classic game series Metroid, relating their cavernous mysteries to a lost history of brutalist architecture. This is accompanied by a series of 35mm black-and-white photographs of Metroid Prime that explore its 3D alien architecture, in a dreamlike study created through a unique technique for photographing games.
Rounding out 002 is a look at how the futuristic tunnels of Wipeout channelled the underground rave scene of the 1990s, while noted game developer Robert Yang dives into an examination of how chairs shape a sense of presence and absence in 3D worlds. The issue also hosts game urbanism expert Konstantinos Dimopoulos as he explores techniques of mapping game spaces.
Quotes
“Heterotopias’ examination of movement and the delineation of space within the brilliant game Inside is both beautiful and illuminating, revealing (as criticism should) more angles of endearment for a thing we already love.”
-Harvey Smith, Co-creative Director, Arkane Studios
“Heterotopias is a smart and beautiful zine, the meeting point between Foucault and video games I never knew I wanted.”
-Martin Robinson, Features Editor, Eurogamer
“What’s being created here is the long-awaited body of work to bind architecture and video games—firmly, finally—as twin studies of the play of forms under light.”
-Nick Capozzoli, Architect and freelance videogame critic